Publicly Executed in 40 minutes

It is late 1978. I am halfway through my eighth year. My father, taking another step in his spiraling downfall, became involved with a fringe Pentecostal church on the lower west side of Cleveland. He would provide acoustic guitar accompaniment to sermons and hymns during services, and right hand man the preacher throughout the week. I always wondered what the old man got out of the efforts.

I call him ‘old man’, but at the time my father was 27.

It was at these services that I learned the band KISS stood for ‘kids in the service of satan’. Heavy stuff. I also learned that human beings could twist their bodies, their languages, and their minds in a heated celebration of their God. To the left, on any given Sunday, were weeping old women that smelled of licorice. Old men in the back, hooting and hollering their agreements. To the right, younger men and women rolling around on the floor – clawing at themselves, while speaking in tongues.

I was eight.

One Sunday I came in early and noticed stacks upon stacks of Time Magazines littering the first row of pews. This Time Magazine…

The sermon that day, as it often tended, warned of the upcoming Christian decimation that was going to take place prior to THE RAPTURE (always capitalized). This terrible incident at Jonestown, the preacher raged, was proof of God’s plan in action. “If the People’s Temple could be destroyed, so shall us all”.

It was at this point a small part of my soul disintegrated.

My father just stood there, playing his guitar. I have been suspicious of musicians and the fervent ever since.

Two years later, and thanks to some fringe radio program, the old man got his hands on a copy of the infamous ‘Jonestown death tape’. His obsession with the subject was reaching fever pitch. Thinking I was asleep, he would play those recordings late into the nights. Play > Stop > Rewind > Play > Stop > Rewind.

I’d just lay there, trying my best not to cry.

These are the voices you are about to hear: Jim Jones – Maria Katsaris – Jim McElvane – Jim Jones. These are the voices that orchestrated and justified the deaths of 918 people. These were the voices of evil.

It isn’t just the anti-Christs we need to worry about. It is the fervent that blindly follow that are of much greater concern. 

Publicly Executed (40 Minutes)

Written: Eric Baker / Bradford Manelski
Drums: Brad Manelski
Synthesizers: Bärkər

Conceptualized, Sculpted, Engineered, and Produced: Bärkər 
Recorded at Cyclops’ Lair, Middleburg Heights, OH.

How Golden Is Your Calf? – Mayfly Records 
© All Rights (P)Reserved, 2024

An end to an end

Before its sudden shuttering of doors, the Linda Sharpe Trio were set to release an EP consisting of older material. As means of promoting it – and as a surprise offering to my former collaborator, I commissioned a video from Mamma’s Maiden Studio.

My concept for the piece was that of a motorcyclist navigating highway obstacles, a cheesy analogy for Life’s Dance. Kimberly Lloyd, the videographer, positively nailed it out of the park. I mean… she created something beautiful.

Sadly, the joy of the video’s sheer brilliance was castrated by narcissism and pettiness. The ‘melody’ was claimed by this former. He threw a tantrum online (always online); His song, His band, His idea… not even pausing to realize he was getting his prized credit all along. Mismanagement on my part aside, it was a shared credit.

As I do not envision the track ever being released, here are its proper credits:

​Written: Eric Baker / Toxic Nemier (the melody, the MELODY)
Synthesizers: Toxic Nemier, Eric Baker

Conceptualized, Sculpted, Engineered, Produced: Eric Baker

Recorded at Cyclops' Lair - Middleburg Heights, Ohio

This is the video:

But it’s ALL Toxic. Accept no Substitutes, nor False claims. Just the Hubris.

The Past Chambered

… A burial chamber dedicated to one’s Past.

I come here not to praise my former efforts, but to bury them; to dedicate to the past a most damnable end, and to the future, a most cordial of welcomes.

It is not now I first remark, but oft ere this, how unruly a pest is a harsh temper. For instance, thou… hadst thou but patiently endured the will of thy superiors, mightest have remained here in this land and house, but now for thy idle words wilt thou be banished. Thy words are naught to me.

Euripides’ Medea, Jason speaks

– bärkər, ‘the past chambered’, digital collage of various ai manipulations of stock photo, ’24

The Sun’s Ra

What’s it about? A former collaborator once called and relayed to me an experience where two radio frequencies merged on a highway drive. The result was, as suggested ‘like Sun Ra mixed with a radio preacher’. I knew then that was the experimental path that I wanted to travel. I said as much. And I followed through.

Years later, I slaved over this piece as gift and homage for the inspiration provided me. And, considering we would eventually partner up in a project called ‘Linda Sharpe Trio’ – the inspiration provided Us. It was a rough cut, but it was a token that I wanted to share with my desperately wanted friend. The former immediately sneered the effort away. Oof. His idea, you see, didn’t include the Little Rascals.

His idea…

… I should’ve known that trouble was on the horizon. Always trust your instincts, friends. Always.

Within this left unfinished rough cut you will find an Our Gang short, Sun Ra’s brilliance, radio waves from Venus, a short-waved evangelical, underlying sound effects, and grave conviction.

Sculpted, Engineered, and Produced by: Bärkər

Conceptualized: Toxic Nemier

Recorded at Cyclops’ Lair, Middleburg Heights, OH.

The Past Chambered – Mayfly Records 

© All Rights (P)Reserved, 2024